Genre: Film Noir
Country: USA | Director: Fritz Lang
Dvdrip Xvid Avi - 640x480 - 25fps - 752 mb
http://www.imdb.com/title/tt0049006/
Country: USA | Director: Fritz Lang
Language: English | Subtitles: none
Aspect ratio: 1.33:1 | Length: 77mnDvdrip Xvid Avi - 640x480 - 25fps - 752 mb
http://www.imdb.com/title/tt0049006/
Writer sets himself up to take murder rap to show the errors of circumstantial evidence. With a friend holding back evidence so he can prove his innocence at the last minute, he goes to trial. But during the trial, his friend is killed in a car accident.
Lang's most austere film, reducing the characters to pawns arbitrarily shifted in demonstration of a fascinating theorem. Andrews plays a writer who plans, with the cooperation of a newspaper publisher, to discredit the concept of capital punishment: by deliberately implicating himself as a murderer, he will prove the ease with which circumstantial evidence can lead to wrongful conviction. But after he is duly convicted, the publisher (his sole confidant) is accidentally killed and evidence of the plan destroyed. Despite the ingenious/ingenuous twist that ensues, the film is not concerned with innocence or guilt but with demonstrating that justice, finally, lies in the hand of fate. Not a forthcoming film, but one which repays attention.
— TM, Time Out Film Guide
"The film has considerable impact, due not so much to visual style, as to the narrative structure and mood and to the expertly devised plot, in which the turnabout is both surprising and convincing."
— Dennis L. White, Film Noir: An Encyclopedic Reference to the American Style
ScreenshotsLang's most austere film, reducing the characters to pawns arbitrarily shifted in demonstration of a fascinating theorem. Andrews plays a writer who plans, with the cooperation of a newspaper publisher, to discredit the concept of capital punishment: by deliberately implicating himself as a murderer, he will prove the ease with which circumstantial evidence can lead to wrongful conviction. But after he is duly convicted, the publisher (his sole confidant) is accidentally killed and evidence of the plan destroyed. Despite the ingenious/ingenuous twist that ensues, the film is not concerned with innocence or guilt but with demonstrating that justice, finally, lies in the hand of fate. Not a forthcoming film, but one which repays attention.
— TM, Time Out Film Guide
"The film has considerable impact, due not so much to visual style, as to the narrative structure and mood and to the expertly devised plot, in which the turnabout is both surprising and convincing."
— Dennis L. White, Film Noir: An Encyclopedic Reference to the American Style





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